Tag Archives: Movies

Lights, Cameras, Action! #1

Robby the Robot combs Anne Francis’ hair, Forbidden Planet, 1956.

Gloria Swanson with Thomas Meighan in Why Change Your Wife? (1920) and Wallace Reid in The Affairs of Anatol (1921) both directed by Cecil B. DeMille. DeMille offered moviegoers intimate glimpses of ‘forbidden things’. He set these scenes in their ‘natural surroundings’ eg the marriage bed, which made it more difficult for the censors to object.

A 1930s “Golden Age of Hollywood” menu, served on luxury liners.

Founded in 1907, Moving Picture World was an influential early trade journal for the American movie industry. An independent publication, the magazine reflected the trends in movie making, creative styles and fashionable stories. By 1914, it’s circulation reached 15,000 readers. In the late 1920s and early 1930s the magazine merged with other publications.

The Microphone – The Terror of the Studios

Norma Talmadge on the cover of Photoplay

Francis Ford Coppola wrote the screenplay for The Great Gatsby. He was shocked to find that there was almost no dialogue between Daisy and Gatsby in the book, so he turned to F. Scott Fitzgerald’s short stories for authentic Fitzgerald dialogue.


Tender scenes from the silent movie Three Weeks (1924) featuring Aileen Pringle and Conrad Nagel. While the intertitles highlighted words of love, the Deaf and Dumb Society noted that Aileen actually said, “If you drop me, you *&#@%#@, I’ll break your neck.”

Publisher’s note: Tula is a novel of 78,000 words and 420 printed pages.

Trigger warning: this novel contains adult themes.

Coming soon, an audiobook version of Tula plus translations.

Please look out for book two in this series, “Sunshine”.

Each book in the series focuses on a different character and different era.

*****

I never wanted to be a star. I just wanted to act in movies. I just wanted to get away from the impoverished streets of Brooklyn and live in relative comfort.

Now, at the close of the 1920s, I was the biggest name in Hollywood. My movies were the highest grossing in the business. Investors depended on me, producers depended on me, my fellow actors depended on me, and maybe the strain of that dependence triggered my emotional collapse.

Actually, I knew what trigged my emotional collapse – my father’s death. I found myself in an asylum, in the care of Dr Brooks. Along with my fiancé, fellow actor Gregory Powell, Dr Brooks was convinced that an underlying issue triggered my collapse, and he wanted me to record my life story, so that he could identify that issue.

Gregory had faith in me. He said he’d wait for me, and that he knew I’d make a full recovery. But to make that recovery, I had to address the underlying issue that had placed me in the asylum.

So, I offer you the notes that I prepared for Dr Brooks. To the best of my ability and memory, I recorded the important events that made up the first twenty-five years of my life. And within these notes I discovered the true reason for my emotional breakdown.

Tula #1

At the age of twenty-five, Tula Bowman was the brightest star in Hollywood. She was also in an asylum, placed there after a nervous collapse. What triggered that collapse? The shocking truth is revealed in Tula by Hannah Howe, book one in the Golden Age of Hollywood series.

https://www.amazon.com/gp/product/B0BG5NGZ6H

The opening chapter of Tula takes place in Kings County Asylum, where Tula introduces her story. The asylum looks bleak, and it was. The building was smaller when Tula was there; additional storeys were added in the 1930s.

📸 Wikipedia

Tula’s childhood home, the top floor of this building on 73rd Street, Brooklyn. There, against her mother’s wishes, she used to read her movie magazines and re-enact the performances she’d witnessed that week on the silver screen.

Tula’s father, Stanley Bowman, was a sometimes barman, bootlegger, alcoholic, gambler and street dealer. Stanley possessed a lovely singing voice. However, he was too drunk most of the time to make anything of his talent. As a child, Tula regarded Stanley as her hero. However, her perceptions changed as she grew older.

📸 Emil Mayer

Tula’s mother, Alicia, endured ‘episodes’. She would drift into a trance-like state. Tula would tend her mother and bring her out of these episodes. On other occasions, Alicia would attack Tula with a mind to kill. Sensitive and vulnerable, Tula turned to the movies for solace, and a means of escape.

Tula’s school, Bay Ridge High School, Brooklyn, pictured in 1920. Here, Tula was bullied by three girls over her appearance and stammer. However, she was befriended by a teenage boy, Finn. Born with a squint in his eye, Finn habitually walked around with a copy of Adventures of Huckleberry Finn in his hand, because the book bore his name.

Tula visited Brooklyn Bridge to deliver a parcel for her father. She noticed a cameraman filming. While Tula was engrossed in the filming, someone stole her parcel.

At the time of its opening, on May 24, 1883, Brooklyn Bridge was the longest suspension bridge in the world with a span of 1,595.5 feet.

🖼️ Chromolithography of the “Great East River Suspension Bridge” by Currier and Ives, 1883.

https://www.amazon.com/gp/product/B0BG5NGZ6H

Movie Quiz #1

Movie Quiz

Question #1

Who is this actress photographed early in her career, in 1926?

Clue: One of her most famous scenes featured a lot of milk.

Question #2

Released on September 6, 1944 this movie is now regarded as a film noir classic. Can you name the movie?

Clue: The actor who played the villain usually played amiable good guys.

Question #3

Making her talkie debut, this actress co-starred with William Powell and Louise Brooks in The Canary Murder Case, 1929. After a shaky start, helped by an affair with a leading producer, she enjoyed a successful movie career. Her first marriage, to Julian Anker in 1928, is one of the shortest Hollywood marriages on record – it was annulled after one day.

Can you name the actress?

Question #4

This house had its own movie theatre, a Turkish bath and a pool with a three-hundred-pound cake of ice in it. The property belonged to the #1 actress and #1 actor of the early silent era, and was named after them. Can you name the house, actor and actress?

Question #5

Ninety-three minutes of this movie’s ninety-six minutes take place in a room measuring sixteen by twenty-four feet. The movie was released in 1957 with an all-male cast. Can you name the movie?

Answers

#1 Claudette Colbert

#2 Double Indemnity

#3 Jean Arthur

#4 Pickfair. Douglas Fairbanks. Mary Pickford.

#5 12 Angry Men

The Golden Age of Hollywood Blog #1

Clara Bow’s first movie was Beyond the Rainbow. Filmed in New York in 1921, when Clara was sixteen, the movie went on public release on February 19, 1922. A 16mm print of the film still survives.

The plot is a decent one: guests arrive at a party and are passed a mysterious note saying, ‘Consult your conscience. Your secret is common gossip.’  All the guests have something to hide, so panic and murder ensue.

The note was written by Clara’s character, Virginia Gardener, as a mischievous joke. It’s ironic that in her first movie Clara was the instigator of chaos because, in her own iconic way, that set the tone for her career.

Clara appeared in five scenes in Beyond the Rainbow, but strangely those scenes were cut from the final print, only to be restored when she became a star. Her billing also moved up from ninth to third when she achieved stardom.

📸 A still from Beyond the Rainbow featuring Helen Ware, George Fawcett and Clara Bow.

Diana Lynn on the cover of Picturegoer, January 7, 1950. A child prodigy, Diana Lynn was playing piano with the Los Angeles Junior Symphony Orchestra at the age of twelve. She featured in movies as a pianist, then developed as an actress. During her career she appeared in movies with Ginger Rogers, Dean Martin, Jerry Lewis, Spencer Tracy, Burt Lancaster and Walter Matthau.

Alice Guy-Blaché, 1 July 1873 – 24 March 1968, was one of the first filmmakers to make a narrative fiction film. She was the first woman to direct a film and from 1896 to 1906 the only female filmmaker in the world. She experimented with sync-sound, colour-tinting and special effects.

Photoplay, September 1930

“Probably the most highly praised young actress of the past few months – Barbara Stanwyck, who shot to emotional stardom on the strength of her unforgettably beautiful and moving performance in ‘Ladies of Leisure ’. This office is bombarded with letters praising her beauty and acting power. We all expect big things of you, Barbara!”

Mitchell Leisen (director): “Charlie Chaplin and myself went up there (Pickfair, pictured, home of Douglas Fairbanks and Mary Pickford) almost every night for dinner. Mary would go to bed and we’d run a picture. Pickfair had a Turkish bath and a pool with a three-hundred-pound cake of ice in it. We had to go in every night and take a sauna and then dive into the ice bath. We’d go to bed, and climb into the Rolls Royce the next morning and go to the studio.”

Her greatest role was as the Blind Flower Girl in Charlie Chaplin’s City Lights, but who was Virginia Cherrill? Through her genealogy, movie career, and public records I intend to find out and shed some light on the person who, in the opinion of film critic James Agee, delivered with Chaplin, “The greatest single piece of acting ever committed to celluloid.”

Virginia Cherrill was born on 12 April 1908 in Illinois to James Edward Cherrill, a dealer in livestock, and Blanche Wilcox. The couple married because Blanche was pregnant. She gave birth to a daughter, Sydney Rose, who sadly died in 1908, a month before Virginia was born. James was a womaniser and, in due course, Blanche obtained a divorce.

During her childhood, Virginia was known as Dolly. She lived with her mother, and with uncles and grandparents. At school, she befriended Evelyn Lederer, who changed her name to Sue Carol when she became an actress. Later, Sue became an agent and married Alan Ladd.

When she was seventeen, Virginia caught the eye of a handsome young lawyer, Irving Adler. Irving invited her to dances and the theatre. From a high-society Chicago family and with good prospects, Irving had a lot going for him. He proposed marriage, repeatedly, and eventually Virginia said, “yes”.

In the summer of 1926 Virginia and Irving married in secret, often a portent of things to come. Sheltered by an over-protective mother, Virginia’s wedding night came as a shock to her, and the events of that night set the tone for her marriage. 

Irving was often away on business. Lonely, and after seventeen months of marriage, Virginia admitted her mistake. She sought a divorce and on 25 November 1927 made her way west, to friends in Hollywood. 

More next week.

Out of the Past, 1947

Kathie: “Oh, Jeff, you ought to have killed me for what I did a minute ago.”

Jeff: “There’s still time.”

The Golden Age of Hollywood Mastodon Mega Movie Poll Results Week 2

The Golden Age of Hollywood Mastodon Mega Movie Poll

Voted for by the movie lovers of Mastodon

The format: 32 movies seeded and selected by the American Film Institute receive a bye to Round Two.

Round One: 64 movies selected by Mastodon movie lovers, matched when possible by era and genre.

The Adventures of Robin Hood 53% v 47% Ben-Hur

All Quiet on the Western Front 42% v 58% From Here to Eternity

The Apartment 93% v 7% Teacher’s Pet

An American in Paris 55% v 45% The King and I

Guess Who’s Coming to Dinner 28% v 72% In the Heat of the Night

A Place in the Sun 32% v 68% A Streetcar Named Desire

Midnight Cowboy 58% v 42% Who’s Afraid of Virginia Woolf

The Golden Age of Hollywood Mastodon Mega Movie Poll Results Week 1

The Golden Age of Hollywood Mastodon Mega Movie Poll

Voted for by the movie lovers of Mastodon

The format: 32 movies seeded and selected by the American Film Institute receive a bye to Round Two.

Round One: 64 movies selected by Mastodon movie lovers, matched when possible by era and genre.

North by Northwest 38% v 62% Rear Window

Bringing Up Baby 30% v 70% The Philadelphia Story

Dr Zhivago 40% v 60% Spartacus

My Fair Lady 35% v 65% West Side Story

Butch Cassidy and the Sundance Kid 76% v 24% The Wild Bunch

Modern Times 53% v 47% The Great Dictator

Night and the City 18% v 82% The Third Man